The October Country by Ray Bradbury

The October Country is a collection of dark and scary short stories by Ray Bradbury that was first published in 1955. The selection has an autumnal feel with a mix of psychological, spooky, supernatural, and horror elements.

The October Country includes the following 19 stories:

"The Dwarf"
"The Next in Line"
"The Watchful Poker Chip of H. Matisse"
"Skeleton"
"The Jar"
"The Lake"
"The Emissary"
"Touched With Fire"
"The Small Assassin"
"The Crowd"
"Jack-in-the-Box"
"The Scythe"
"Uncle Einar"
"The Wind"
"The Man Upstairs"
"There Was an Old Woman"
"The Cistern"
"Homecoming"
"The Wonderful Death of Dudley Stone"

I’ve been meaning to read the book in the fall for the past several years. This year, I carried out my plan and I started reading the book in October and continued reading it through the fall. My favorite story in the collection was “The Lake,” a poignant story about a man who returns to his hometown where he remembers an old friend named Tally who drowned as a child. I also found “Skeleton” and “The Scythe” to be particularly creepy.

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So Late in the Day by Claire Keegan

So Late in the Day: Stories of Women and Men (2023) is a short volume of three short stories by Irish writer Claire Keegan.

The first story, "So Late in the Day," is the story of a man named Cathal who is reflecting on his failed relationship on what would have been his wedding day.

The second story, "The Long and Painful Death," is about a woman writer who is driving to Heinrich Böll’s house on Achill Island where she will begin a prestigious writing residency. The following day is the woman’s 39th birthday. Before starting work that morning, a German man, who is a stranger to her, visits wanting to tour the home. She agrees to meet him in the evening, but resents his intrusion to her day. She spends part of the day swimming, gathering berries, and baking herself a birthday cake. The man arrives, resentful and angry that she has spent the day swimming and baking instead of writing. He doesn’t think she deserves to be there. His misogyny is clear as he devours her birthday cake. The woman is inspired by the visit to write a story.

The third and final story, titled "Antarctica," is about a married woman who decides to have an affair out of boredom. While the woman intends to find freedom and fun, she instead finds something much darker.

Each of the stories explores misogyny, how women react to awful male behaviors, and the relationships between men and women. It’s an interesting trio of tales.

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The Door by Magda Szabó

The Door by Magda Szabó is a haunting and unusual novel about the connection between two women. I read the translation from Hungarian by Len Rix. The story is narrated by a writer named Magda and describes her relationship with her servant Emerence. Magda begins the story by recounting a recurring nightmare and makes a dark confession.

Set in Budapest, Hungary, Magda’s story then winds back in time to recount how she and her husband decide to hire Emerence as their servant. Magda’s writing career is finally thriving again after it was restrained by the Hungarian government and various forces for years. To have enough time for her work, she tries to hire Emerence do the housework. Emerence is unusual and strong-willed. She tells Magda that she needs time to decide whether to take the job as she doesn’t work for just anyone.

In her own time, Emerence chooses to work for Magda and her husband. Emerence gets all the housework done, but keeps her own odd schedule. She has many other obligations in their neighborhood. Magda and Emerence have a love-hate relationship characterized by misunderstanding, cruelty, duty, and affection. It is a troubling portrayal of two unlikable and complex women over the course of 20 years.

Emerence doesn’t show Magda a whit of respect for her writing; instead, she values working with her hands. Magda resents Emerence at times, but is fascinated by her. She slowly pieces together Emerence’s life story, but she is never able to obtain a full picture of her. Magda sometimes longs for Emerence to be a mother figure to her, but she fails to be a dutiful daughter when called to do so.

The story ends in tragedy, and the ending is ambiguous and haunting. The writer is unnamed until late in the novel when she is referred to as Magdushka a single time. I was left wondering if the novel was autobiographical or not.

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The Graveyard Book by Neil Gaiman

The Graveyard Book (2008) is a novel by Neil Gaiman about a boy being raised by ghosts in an English graveyard. Geared towards young adults, Gaiman was inspired to write this story by Rudyard Kipling’s The Jungle Book (1894) in which a little boy named Mowgli is raised by wolves in the jungle.

The Graveyard Book tells the story of Nobody Owens. At the beginning of the novel, Nobody is orphaned when a man named Jack murders his parents and his older sister. Nobody manages to escape by wandering to a graveyard. The ghosts in the graveyard decide to care for him and protect him with the help of a vampire named Silas who serves as his guardian. Nobody, nicknamed “Bod,” is granted “Freedom of the Graveyard.” He is able to see ghosts and learn supernatural abilities, such as disappearing or Fading, Haunting, and Dreamwalking.

Bod has various adventures and learns about the outside world from the ghosts. He befriends a ghost witch named Liza Hempstock and a young living girl named Scarlett Amber Perkins, who later moves away to Scotland. Though he is safe in the graveyard, Bod craves learning about the outer world and convinces Silas to allow him to go to school. Unfortunately, when Bod attracts too much attention to himself at school, he has to leave.

Meanwhile, the man Jack continues to pursue Nobody with the goal of killing him to finish what he started. Nobody must use his skills to protect himself, his friends, and his home from the evil man Jack.

The Graveyard Book is a coming-of-age novel with an episodic quality. The main narrative conflict is the existence of the man Jack, but he is mainly absent from the story. Jack’s reason for pursuing Bod isn’t very compelling. Still, I really liked Bod and his friends, especially Scarlett and Liza, and I wonder where life will take Bod next.

There were many quotes and exchanges that I loved throughout the story. Here are a few of them:

Silas said, “Out there, the man who killed your family is, I believe, still looking for you, still intends to kill you.”
Bod shrugged. “So?” he said. “It’s only death. I mean, all of my best friends are dead.”
“Yes.” Silas hesitated. “They are. And they are, for the most part, done with the world. You are not. You’re alive, Bod. That means you have infinite potential. You can do anything, make anything, dream anything. If you change the world, the world will change. Potential. Once you’re dead, it’s gone. Over. You’ve made what you’ve made, dreamed your dream, written your name. You may be buried here, you may even walk. But that potential is finished.”

“That’s the difference between the living and the dead, ennit?” said the voice. It was Liza Hempstock talking, Bod knew, although the witch-girl was nowhere to be seen. “The dead dun’t disappoint you. They’ve had their life, done what they’ve done. We dun’t change. The living, they always disappoint you, dun’t they? You meet a boy who’s all brave and noble, and he grows up to run away.”

Liza could be seen now, a misty shape in the alleyway keeping pace with Bod.
“He’s out here, somewhere, and he wants you dead,” she said. “Him as killed your family. Us in the graveyard, we wants you to stay alive. We wants you to surprise us and disappoint us and impress us and amaze us. Come home, Bod.”

Bod had allowed himself no friends among the living. That way, he had realized back during his short-lived schooldays, lay only trouble. Still, he had remembered Scarlett, had missed her for years after she went away, had long ago faced the fact he would never see her again. And now she had been here in his graveyard, and he had not known her...

Then she said, “Can I hug you?”
“Do you want to?” said Bod.
“Yes.”
“Well then.” He thought for a moment. “I don’t mind if you do.”
“My hands won’t go through you or anything? You’re really there?”
“You won’t go through me,” he told her, and she threw her arms around him and squeezed him so tightly he could hardly breathe. He said, “That hurts.”
Scarlett let go. “Sorry.”
“No. It was nice. I mean. You just squeezed more than I was expecting.”
“I just wanted to know if you were real. All these years I thought you were just something in my head. And then I sort of forgot about you. But I didn’t make you up, and you’re back, you’re in my head, and you’re in the world too.”

Nothing was said. Just a silence in reply, that echoed of dust and loneliness.

“How is she?”
“I took her memories,” said Silas. “They will return to Glasgow. She has friends there.”
“How could you make her forget me?”
Silas said, “People want to forget the impossible. It makes their world safer.”

...Mother Slaughter interrupted, “And I still feels like I done when I was a tiny slip of a thing, making daisy chains in the old pasture. You’re always you, and that don’t change, and you’re always changing, and there’s nothing you can do about it.”

Liza’s voice, close to his ear, said, “Truly, life is wasted on the living, Nobody Owens. For one of us is too foolish to live, and it is not I. Say you will miss me.”
“Where are you going?” asked Bod. Then, “Of course I will miss you, wherever you go...”
“Too stupid,” whispered Liza Hempstock’s voice, and he could feel the touch of her hand on his hand. “Too stupid to live.”
The touch of her lips against his cheek, against the corner of his lips. She kissed him gently and he was too perplexed, too utterly wrong-footed, to know what to do.
Her voice said, “I will miss you too. Always.” A breath of wind ruffled his hair, if it was not the touch of her hand, and then he was, he knew, alone on the bench.

“Will I see you again?”
“Perhaps.” There was kindness in Silas’s voice, and something more. “And whether you see me or not, I have no doubt that I will see you.”

Related Reviews:
Good Omens by Neil Gaiman and Terry Pratchett
Snow, Glass, Apples by Neil Gaiman and Colleen Doran

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Cat's Cradle by Kurt Vonnegut

Cat’s Cradle is a novel by Kurt Vonnegut that was published in 1963. The story is a wild, satirical tale told by a narrator named John, who wants the reader to call him Jonah. Told in flashback, John is working on a book, called The Day the World Ended, about what people were doing on the day the US dropped the atomic bomb on Hiroshima.

John is particularly interested in the late Felix Hoenikker, a creator of the atomic bomb, and he plans to interview Hoenikker’s children and coworkers. Along the way, he learns that Felix Hoenikker invented a substance called ice-nine, which acts as a seed crystal to make water freeze at room temperature.

Later on, another writing assignment brings John to San Lorenzo, a fictional island in the Caribbean. Hoenikker’s three children, Frank, Angela, and Newt, are all there too. During his journey to San Lorenzo, John learns about Bokononism, a humorous religion based on lies. When he reaches the island, he meets the beautiful Mona and the island's dying dictator. So much happens that it's hard to even summarize.

One of my favorite parts was the vocabulary from the The Books of Bokonon. The term karnass refers to a team of seemingly random people that carries out God's will. They're the people that each life is tangled together with for no logical reason. In contrast, a granfalloon is a false karnass, or a meaningless grouping of people, for instance, "any nation, anytime, anywhere."

Cat’s Cradle has short chapters, each serving a purpose of making a commentary. The book is dark, cynical, and absurd, with commentary on science, religion, government, business, and the (lack of) meaning of life.

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Where the Wild Ladies Are by Aoko Matsuda

Where the Wild Ladies Are by Aoko Matsuda is a collection of intertwined short stories featuring living humans interacting with ghosts and spirits. Matsuda’s inspiration for each story came from Japanese folktales, legends, kabuki, rakugo, and plays. She provides synopses for the original tales at the end of the book. I read the English translation from the Japanese by Polly Barton.

The stories are unique in that the ghosts and spirits are growing, learning, and changing. The spirits are not scary, horrifying, or frightening; instead, they exist side by side with the living. The collection begins with the story of a young woman who is blaming herself after her boyfriend breaks up with her. The ghost of her aunt who died by suicide appears to the woman, reminding her not to destroy her strength. Later, the young woman’s cousin (her aunt’s grieving son) appears in other stories. Many of the stories are interconnected. Some stories are connected by the characters, others by their themes, and still others by their location.

I enjoyed the stories and wish I was familiar with the originals. In this season of ghosts, reading this volume was a good reminder that there are spirits all around us, if we just open our eyes to them.

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