Death Comes for the Archbishop by Willa Cather

Willa Cather’s Death Comes for the Archbishop (1927) tells the story of two French missionary priests, Bishop Jean Latour and Father Joseph Vaillant, who aim to establish a Roman Catholic diocese in New Mexico. It is a work of historical fiction. Cather roughly based these characters on Jean-Baptiste Lamy, the first Archbishop of Santa Fe, and Joseph Projectus Machebeuf, the first Bishop of Denver.

Latour and Vaillant were childhood friends. In contrast to Latour, who is serious and introverted, Vaillant is charismatic and outgoing. Both men are deeply committed to their work. Latour and Vaillant are responsible for a vast area of the Southwest. There are no roads or trains in the region yet, and there is no set way to travel, which makes their journeys difficult. The two French priests face many adventures and challenges in their work. The men are isolated in their tasks and goals, and both Latour and Vaillant are admirable protagonists.

In Death Comes for the Archbishop, Cather depicts the vastness of the Southwest and its mix of different people, cultures, religions, and traditions. Cather’s writing allows you to feel as though you are in New Mexico, whether you have ever visited the region or not. There is deep symbolism in the novel. For example, characters depict the seven deadly sins in story form. Cather also inserts some historical characters in her narrative. For instance, she includes Kit Carson as a character.

Early on, Father Latour feels disconnected from the land in the southwest. He plants an orchard to feel at home. In his later years, he appreciates the wilderness itself, choosing to remain in New Mexico instead of returning to France to die. His crisis in faith is moving, as is his longing for his dear friend after Vaillant leaves Santa Fe. Through it all, Latour remains committed to his goal of building a cathedral as a mark upon the wilderness.

The novel is a beautiful story of friendship, devotion, goodness, and commitment to a higher purpose.

Favorite Quotes:
"'To fulfil the dreams of one's youth; that is the best that can happen to a man. No worldly success can take the place of that.'"

"A wave of feeling passed over his bronze features as he said slowly:
'My friend has come.'
That was all, but it was everything; welcome, confidence, appreciation."

"One might almost say that an apparition is human vision corrected by divine love. I do not see you as you really are, Joseph; I see you through my affection for you. The Miracles of the Church seem to me to rest not so much upon faces or voices or healing power coming suddenly near to us from afar off, but upon our perceptions being made finer, so that for a moment our eyes can see and our ears can hear what is there about us always."

"These raindrops, Father Latour kept thinking, were the shape of tadpoles, and they broke against his nose and cheeks, exploding with a splash, as if they were hollow and full of air."

"...it was the Indian's way to pass through a country without disturbing anything; to pass and leave no trace, like fish through the water, or birds through the air."

"But Jean, who was at ease in society and always the flower of courtesy, could not form new ties. It had always been so. He was like that even as a boy; gracious to everyone, but known to a very few."

"'Once that kinship is there, time will only make it stronger.'"

"That air would disappear from the whole earth in time, perhaps; but long after his day. He did not know just when it had become so necessary to him, but he had come back to die in exile for the sake of it. Something soft and wild and free, something that whispered to the ear on the pillow, lightened the heart, softly, softly picked the lock, slid the bolts, and released the prisoned spirit of man into the wind, into the blue and gold, into the morning, into the morning!"

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A Lost Lady by Willa Cather
O Pioneers! by Willa Cather

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In Our Time by Ernest Hemingway

Ernest Hemingway in 1923. Public domain, via Wikimedia Commons.

Published in 1924, In Our Time is a collection of Ernest Hemingway’s early short stories. Hemingway has a sharpness to his prose that is unlike that of any other writer. I enjoyed reading this collection of stories, but I am fonder of Hemingway’s novels.

Each chapter of the collection begins with a short, tumultuous sketch or vignette. Then a longer short story follows. Hemingway explained to Ezra Pound that the vignettes and stories were meant to be read together and that the full set was interconnected.


First edition cover of In Our Time by Ernest Hemingway, published in New York in 1925, Public domain, via Wikipedia.

This collection introduces the reader to Nick Adams, a character that Hemingway follows through life and returns to in his later stories. Many of the stories and one sketch feature Nick Adams as the main character. It’s also worth noting that "A Very Short Story" contains the seed that germinated into Hemingway’s novel A Farewell to Arms. My favorite of the stories in this collection was "The End of Something." It’s one of the Nick Adams stories, and it rang true to life.

The joy of reading Hemingway is the simplicity of his presentation and the fact that he doesn’t tell you what he means. The meaning is there, but only if you put the pieces together yourself.

Related Review:
The Dangerous Summer by Ernest Hemingway

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O Pioneers! by Willa Cather

O Pioneers! (1913) tells the story of the Bergson family in Nebraska. The novel mainly focuses on Alexandra, the eldest child, and Emil, the youngest sibling. At the beginning of the story, Alexandra's father John Bergson is dying. John leaves his land in Alexandra's capable hands, and he wants his family to preserve what he worked for since leaving Sweden to immigrate to America. John considers his eldest sons, Oscar and Lou, to be less capable of managing the property than Alexandra. John has foresight. Over the course of the story, Alexandra repeatedly makes decisions that go against the norm that allow her family's farmland to prosper.

Alexandra has one friend who understands her named Carl Linstrum. When Carl’s family decides to leave Hanover after years of crop failures, Alexandra feels isolated. Later, Alexandra and her brothers divide the land evenly when her brothers marry. She continues to manage her own farm, which becomes the most prosperous on the Divide.

The narrative then skips ahead to sixteen years after Alexandra's father's death. Alexandra has the money to send Emil to college and she raised her younger brother without him ever having to toil on the land. Out of friendship, Alexandra has taken in Ivar, a Russian man that many consider crazy. Since the early days, Ivar advised Alexandra and helped her with the animals. Because of Ivar’s strong love of nature and life, he isolates himself from others and wishes to cause the least damage to the land. Ivar is one of the most interesting characters in the novel. Both he and Alexandra still recall the harsh realities of the land when they first arrived, while other characters seem ashamed of the memory and want to appear "civilized." Alexandra’s meddling brothers want her to send Ivar to an asylum, but she adamantly refuses.

Alexandra's neighbor is a pretty, Bohemian girl named Marie Shabata. Marie was introduced in the first chapter as a child who is Emil's age. She marries Frank, a difficult and brooding man, who is filled with jealousy. They live at the old Linstrum place. Marie tries to find brightness and happiness in what she sees, and Alexandra enjoys her company.

Carl Linstrum returns for a visit after many years away. Carl is mesmerized with Alexandra and is dissatisfied with his own life. As Carl and Alexandra grow closer, Oscar and Lou grow angry. They think that Carl wants Alexandra's land—land that they wrongfully consider theirs. Oscar and Lou believe that Alexandra should not marry at forty, and that she is a fool to let Carl hang around. Sadly, although Alexandra wants Carl to stay, he leaves for Alaska to win success there, and Alexandra is more alone than ever.

Still, Alexandra is more attached to the land than she is to any living person. She embodies the spirit of the pioneer and the land itself. These characteristics leave her ignorant to the emotions of those around her. She fails to see that Emil is deeply attracted to Marie and that Marie wants to reciprocate Emil’s feelings. Emil decides to leave for Mexico, in an attempt to escape his feelings, but while he is there, he writes letters to both Alexandra and Marie. Marie is struggling to hide herself from Emil's love for her. When Emil returns to Hanover a year later, he kisses Marie in the middle of a church crowd while everyone is in the dark. In stunning simplicity, no one notices anything has happened, though Marie and Emil’s worlds have shifted. Marie pleas with Emil to leave because she cannot live with him nearby. When Emil comes to say goodbye, he sees Marie under a white mulberry tree. Her husband Frank sees them together, and he shoots and kills them both in a terrifying and bloody scene.

Alexandra is shocked and lost. She dreams more often of a man of enormous strength who can pick her up and carry her over her fields. She resolves to try to help Frank who is now in prison, and surprisingly places more blame for the murder on her brother and Marie. She learns that Carl has returned upon hearing the news. At last, Carl and Alexandra decide to marry.

The novel entwines two stories into one. The underlying story is about Alexandra and the land and her determination. The second story is about Emil and Marie’s love for one another and its consequences. Cather has an understanding of how decisions have consequences. What is known and hidden in character’s hearts shines through in her portrayals. The story is harsh, true, and believable, and amid the land's richness, this book is a gem.

Favorite Quotes:

"It's by understanding me, and the boys, and mother, that you've helped me. I expect that is the only way one person ever really can help another."

"Then the Genius of the Divide, the great, free spirit which breathes across it, must have bent lower than it ever bent to a human will before. The history of every country begins in the heart of a man or a woman."

"The grain is so heavy that it bends toward the blade and cuts like velvet."

" Isn’t it queer: there are only two or three human stories, and they go on repeating themselves as fiercely as if they had never happened before; like the larks in this country, that have been singing the same five notes over for thousands of years."

"The veil that had hung uncertainly between them for so long was dissolved. Before she knew what she was doing, she had committed herself to that kiss that was at once a boy's and a man's, as timid as it was tender; so like Emil and so unlike any one else in the world. Not until it was over did she realize what it meant. And Emil, who had so often imagined the shock of this first kiss, was surprised at its gentleness and naturalness. It was like a sigh which they had breathed together; almost sorrowful, as if each were afraid of wakening something in the other."

"How terrible it was to love people when you could not really share their lives!"

Related Reviews:
Death Comes for the Archbishop by Willa Cather
A Lost Lady by Willa Cather

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Freckles by Gene Stratton-Porter

Freckles (1904) by Gene Stratton-Porter is a moral tale combined with adventure and romance. Freckles is an orphan with only one hand. He arrives at the Limberlost swamp in Indiana to search for a job after leaving the Home, an orphanage in Chicago. His honesty and positive attitude earn him a job as the Limberlost guard for the lumber company. There, Freckles proves himself to be intelligent, strong, and diligent.

As Freckles guards the trees, he learns about the plants growing in the Limberlost and he befriends the animals living there. Freckles makes a “room” in the swamp, a closed garden where he spends time and stores his specimen case containing his treasures. One day, a beautiful girl peeks into his “room,” and Freckles falls in love with her. He calls her his “Swamp Angel.” He befriends the Bird Woman, the Angel’s friend, who takes photos of Freckles’s birds, which he calls “chickens.”

Freckles impresses those around him with his work ethic and good nature. His boss, McLean, treats Freckles as if he were his own son. He prepares to send Freckles to school after the timber gang arrives and Freckles’s guard duty ends. Mr. Duncan, who works for the lumber company, and his wife both love the affectionate boy. The Swamp Angel inspires Freckles in new ways, and we learn that he aspires to sing. He has a stunning voice.

Meanwhile, trouble brews for Freckles as a thief named Black Jack plans to steal trees. The pair fight with one another, and Freckles wins twice, but eventually Freckles is overpowered. The Angel saves Freckles as the thieves attempt to steal a valuable tree. Then later, a tree nearly falls on the Angel, and Freckles saves her, but he is severely hurt and hospitalized.

In the hospital, Freckles is dejected, feeling he will never be able to have the thing he truly wants–the Angel. She is of a higher class, and Freckles believes she deserves a better husband, one who is not nameless and missing a hand. Though the Angel tries to convince him that she loves him, Freckles refuses to believe that they can be together. He thinks of how he arrived at the Home, beaten and bloody, with his arm cut off. He wonders what parents could do that to their own son.

The Angel disagrees, telling him that his parents could never have done such things when Freckles has such a good heart. She aims to prove that he was loved and learns that he was the son of a Lord. Freckles’s parents died in a fire trying to save him, and he has a huge inheritance.

The story ends happily with this contrivance of the plot; however, I would have enjoyed it more had Freckles understood his self-worth was determined by himself, not by the discovery of his parents and high-class name.

Related Reviews:
A Girl of the Limberlost by Gene Stratton-Porter
At the Foot of the Rainbow by Gene Stratton-Porter

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A Girl of the Limberlost by Gene Stratton-Porter

Gene Stratton-Porter’s A Girl of the Limberlost (1909) is a lovely tale of a girl named Elnora Comstock. Elnora is a headstrong, intelligent nature-lover. She is 16 years old at the beginning of the story and ages to around 23 by the end. The reader sympathizes for her in her early struggles to pay for school and to forgive her mother as well as in her later struggles in romance.

Elnora lives with her mother Katharine by the Limberlost swamp in Indiana. Her father drowned in the swamp before Elnora was born, and her mother shows her no affection. Katharine Comstock is an outstanding example of selfishness. She has a wicked, acidic tongue and sense of humor. Katharine idolizes her dead husband and blames Elnora for his death. Elnora reminds her mother of her father at times, making Katharine even more aloof from her child. At the same time, Katharine does not want anyone else to love Elnora either, so she jealously guards Elnora from her Aunt Maggie and Uncle Wesley. Maggie and Wesley give Elnora love and treat her with kindness.

Elnora must pay for her schooling, and she succeeds through her sheer determination in the face of adverse circumstances. She learns everything about the Limberlost. Elnora collects moths, butterflies, and Indian relics, and she studies the rare plants that grow there. She excels at playing the violin, like her father. Elnora pays her way through school by selling collections of moths to the Bird Lady. She ends up graduating first in her class.

One climax in the book occurs when Katharine finally realizes that her memory of her husband is false and that she has been needlessly punishing her daughter. Following this realization, Katharine’s transformation is remarkable. She changes from being an evil and misunderstood villainess to become the mother Elnora always dreamed of having. Understanding Katharine’s motivations is one of the highlights of the novel.

The latter part of the story involves Elnora’s attraction to Philip Ammon. Philip shares Elnora's love of nature, but he is engaged to another woman. Elnora is attracted to him, not in a romantic sense at first, but as a kindred friend who understands and shares her love for the environment. When Philip’s fiancée Edith Carr humiliates him at a ball, he thinks of Elnora in a new light, and he returns to the Limberlost to win her heart. Elnora is cautious because she doesn't know Edith’s side of the story. Through many twists and turns, Elnora and Philip end up together.

My favorite aspect of A Girl of the Limberlost is Porter’s keen understanding of nature. She portrays settings in a way that engrossed me as a reader. In reading this story, I was left with a vivid picture of the Limberlost.

Related Reviews:
Freckles by Gene Stratton-Porter
At the Foot of the Rainbow by Gene Stratton-Porter

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Armadale by Wilkie Collins

Armadale (1864–1866) by Wilkie Collins is a Victorian mystery and suspenseful thriller. Armadale is the name of four different men in this story, who are pairs of fathers and sons. This name is the key to their fortunes and is a cause of shame and secrecy. Each of the four Allan Armadales has his own set of motivations that determine the course of novel’s events.

The drama and sensational aspects of the novel are woven together perfectly and kept me on my toes. From the opening death bed confession to a suicide attempt off a ship to a dream which comes true little by little, I was excited by what came next. At times, I knew what to expect, but not when.

One of the main characters, Ozias Midwinter, often works against what he believes to be his fate, but at other times, he is reconciled to what his fate brings him. The young Allan Armadale is a generous and often foolish man who is powerless to persuasion. Along with Ozias, the most compelling character is Lydia Gwilt. Lydia is a heroine and villainess rolled into one. At times I sympathized with her because she is the most intelligent character in the novel, and I wanted to see her succeed. At other times, I hated her, and wanted her to fail. She’s both a criminal and a temptress.

No character in the book is perfect; no one is purely good. Each character’s combination of motivations, secrets, and balance of good and bad is what drives the novel to its final pages. Wilkie Collins was a masterful storyteller, who controlled complicated plots with seeming ease. Armadale is one of his masterpieces. Although, Collins is best known for The Moonstone and The Woman in White, Armadale deserves equal acclaim.

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